Black, white and all in between

Black and white photography is a weird animal, a bag full of contradictions. It’s historically at the core of photography. Colour became an option only long, long after. In the tradition of photography, monochrome has been the norm for a long time.
Yet, photography is often associated with a link to reality. Black and white actually strips away an important element of reality. Reality isn’t black and white, after all.

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Why film?

So, why film? Well, first of all because “analogue photography” is a complete misnomer. Both a sensor and film react rather similar to light, in a pretty binary way (it’s registered, or not). So if binary logic equals digital, then both are in fact digital.

But no, this isn’t about the dictionary.

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The right tool for the job…

When I was still pretty active on a photography forum, one recurring discussion was between those who got all excited on the latest and greatest gear with all the new features, and those who claimed that the camera doesn’t matter because it’s all down to the photographer. In other words “with this camera, you can finally really make good images” versus “tools don’t matter”.

Yet another example of unnecessary polarised discussion.

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Photography online

The internet – a blessing or a curse for photography?

If you were to believe “serious photographers”, you’d believe it’s a curse. An abundance of photos of parties, food, fun with friends and other events. Countless selfies. Influencers desperately trying to hide they’re just an advertisement (and failing to hide that). Quick shots from the hip. Images that have no purpose beyond publishing more pictures.

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