Sometimes, and sometimes often, it would be nice to be a photographer with no particular interest for the tools. One of those that can say in full honesty that they don’t care about their camera or lens. But I’m not, and more often than I like, I am quite the opposite.
Sometimes advice is good and bad simultaneously. Good when it helps you consider something you might not have considered before. Bad when it’s conveniently followed without further thought.
Like in a previous posting, this is a story about a tip often heard, a common advice on forums and in real life. Well, not so common, because it’s exclusively about lenses with a fixed focal length.
Fun with plastics
Pretty much the last thing this planet needs, is more plastic. Convenient and cheap as it may be to produce, the price we’re paying for it is higher than we should like. It’s an unavoidable material, unfortunately. But I try to avoid it when I can. Which is a lot less often than I like.
One exception, maybe.
In case of emergency, break this window with the hammer. In case the hammer is missing, using your pro-level Nikon camera may also work.
They’re serious pieces of construction quality, the single digit Nikon models.
The curious R6
No, this is not about the Canon mirrorless camera. Sure there will be more people knowing the EOS R6 than the actual subject of this post, but let that be a lesson for Canon to not re-use names from others. The R6 already existed (as did the R5 and whatever else they have in mind, only R1 and R2 are unused).
I’ve shortly mentioned this R6 in the past; this time I’d like to dive a bit deeper about its virtues and shortcomings for my uses.
Seriously good, with a twist
Previous posts may not have make it seem that way, but my main cameras are Nikons, not Leicas. When I moved to a DSLR, I went for a Nikon. In time, I got a couple of older manual focus lenses for it, including the fantastic 105mm f/2.5. When I added film cameras to the mix later, it made sense to go for Nikon, as I already had lenses for it.
Today, still my DSLR is a Nikon, and for film I have a set of cameras with enough lenses to keep me entertained.
The square root of two
As mentioned in previous posts, I think choice of camera gear is a personal affair, and for lenses this is even more true. We’re not all looking for the same thing, so choice is a good thing.
There is plenty places discussing such choices, but the advices aren’t always equally sound. Or it is sound, but just doesn’t apply to you. Choice is great, but it also means staying focussed on understanding your own needs.
In the parts of the Netherlands where I live, this weekend is all about celebrating carnival. I used to celebrate this as well (not this year though). While I could write a lot on this feast, I’m not going to do that.
What I am going to bring up, is the small and sweet companion I brought with me the last times I went to celebrate it: the Werra.
Hunt for the top spot
It’s time of the winter olympics, and I’m enjoying a lot of that massively. Apart from the action, the Olympics always have their fair share of interesting stories. Getting to the top makes for fascinating stories often enough. Staying there: a display of immense focus and drive. And as many Olympic sports aren’t very commercial, or even paid at all, that relentless drive to excel is plain awesome.
In some way, most have this drive to be the best. But unlike sports, who or what is the best isn’t always clear-cut.
Possibly one of the most polarising food items on this planet: Marmite. It seems you have to be English to be able to like it, but it used to be widely available in mainland Europe as well. Nowadays, not as much, as far as I can see. Perhaps a Brexit side effect. In any case, some will lament its poorer availability, and others will think “good riddance”. Marmite doesn’t do mid-field, only extremes.